Atmospheric Wood is a research project based on a historic contact printing technique. Invented by Sir John Herschel in 1842, first used as a means of illustration and documentation by Anna Atkins, blueprint, or cyanotype, was re-purposed to reproduce technical drawings for architectural and engineering projects. Reviving and interpreting this traditional knowledge, Atmospheric Wood aims to bring back this process to contemporary architecture.
While exposed to light, the process transforms untreated wood into an elegant assortment of blue hues and a maze of pointillist patterns using natural minerals. The immersive patterns and tonalities draw visual associations to the night sky. My goal is to create products for inhabitants of the modern metropolis yearning to stay close to nature in creative and unexpected ways.
In addition, a maze of pointillist patterns is created using a scattered application of natural minerals. The results vary depending on the environmental conditions during production and types of wood used. The project is aimed to find synergies between embracing the raw material and enriching it.